تبلیغات
Ehsan Koopayeh: Pianist,Piano Instructor,Chordologist,POP Music Harmonist,Educator of Music Composition-Harmony and Theory-Ear Training,Singer,Keyboardist,Music Theorist,High-school&University Teacher,Translator,Mathematician,Polymer Industry Engineer - Tutoring PIANO&KEYBOARD's THEORY of HARMONY by Ehsan H.Koopayeh
Ehsan Koopayeh: Pianist,Piano Instructor,Chordologist,POP Music Harmonist,Educator of Music Composition-Harmony and Theory-Ear Training,Singer,Keyboardist,Music Theorist,High-school&University Teacher,Translator,Mathematician,Polymer Industry Engineer
Private tuition and I'm just Interested to Teaching and Training
 


Specialized and Dedicated Tutoring Piano & Keyboard
 
POP(Popular),Rock n Roll,Soul,Country, Romantic, and Jazz Styles-

By the teacher and Piano&Keyboard master in Iran***


Piano&Keyboard's THEORY Of HARMONY


I)Preparing to  Play Piano & Keyboard


II)Meeting the Piano&Keyboard Family


II)Meeting the Eighty-Eight Keys of Piano ,Three Pedals,Ten Fingers and Two Feet


III) Learning and Reading Music Notation

The Staff-
kinds of The Clefs-
The Grand Staff-
Ledger Lines-
above & below an Octave-
The Beats,Measures and measuring the Beat Using Tempo-
Bar(Bar Lines & Spaces)-
Kinds of Basic Note Values,Rests,Whole and Half Steps-
Rhythms and Kinds of Time Signatures(4/4,3/4,2/4,6/8 and etc)-


IV)Changing the Rhythms and Beats

Adding Time to Notes Using the Ties and Dots-

a)Linking Notes Using the Ties
b)Extending notes using Dots



Meeting & Playing the Offbeat Rhythms-


a)Triplets offbeats Rhythms
b)Swing & Shuffle offbeats Rhythms

VI)How to Playing a Melody

Fingering Process and Positions(C & G Positions)-
Shifting Positions during playing melody-
Crossing-Overs and Passing-Unders great Tricks-



VII) learning & Meeting to the Musical Intervals: As ***The Building Blocks of Harmony***,Kinds of Musical Intervals and playing Intervals on the Piano&Keyboard

a) Meeting and Description of the Quantity and Quality in Musical Intervals
b) Meeting to the Melodic and Harmonic Intervals and Playing on the Piano&Keyboard
c) Application and Adding Intervals to Melody Lines
d)Applying the Musical Intervals for Scale-Building & Chord-Building





VIII)Scaling,Scales, Scalewise by Right Hand and Left Hand
 Variations on the scales, introducing and Meeting to the Pentatonic scales and The Blues scales

(
step-by-step Tutorials and the Structure Formulas of Scales-Full version)

a)Understanding and Exercising Major and minor Scales
b)Exploring the minor Variations


The Natural minor Scales-
The Harmonic minor Scales-
The Melodic minor Scales-

c)Exploring the Major Variations


The Natural Major Scales-
The Harmonic Major Scales-
The Melodic Major Scales-



d)Meeting to The Relative and Parallel Scales


Relative & Parallel Major Scales-
Relative and Parallel minor Scales-
Parallel and Relative Pentatonic Scales-
Parallel & Relative Blues Scales-
Primary and Secondary Relative Scales-


e)Meeting to The Blues Scales and Applying in POP Music


Major and minor Blues scales-
Parallel & Relative minor Blues Scales-
Relative and Parallel Major Blues Scales-


f)Meeting The Pentatonic Scales and Applying in POPular Music


 minor and Major Pentatonic Scales-
Parallel & Relative minor Pentatonic Scales-
Relative and Parallel Major Pentatonic Scales-


g) Using and Applying the Scales for Composing Music




 

IX)Anatomy, Levels and Understanding Keys and  Circle of 5ths


a) Meeting,Reading and Using Tonality or Keys to Play Music and Applying for Modulation to a New Key
b) Reading and Using The Key Signatures with Sharps & Flats
c) Meeting to The Relative Keys
d) Meeting to The Parallel Keys
e) Meeting to Primary and Secondary Relative Keys
f) Meeting to Home Key and its importance in Music and Modulation



X) Modality-Modes and Mixed-modes on the Piano&Keyboard




XI)Anatomy of Chords And CHORD-Building


 
Introduction to CHORDOLOGY    Phrase and Science and Applying in Musical Harmony(Appropirative)


Accurating and Completing
HARMONY & CHORDOLOGY-full version, and Meeting to all kinds of chords and Chords Inversions and How to Play Them



- XII)Chord progressions and Cadences in minor and Major Scales and their variants (Theoretical or Natural, Harmonic, Melodic minor & Major scale) - Pentatonic Scale and Step Blues blues scale


XIII) The Full knowledge of a student with a variety of chords

a)Dual Chords (i.e. Power Chords): is created Two Tones
b)Triad Chords(Triads): is maked Three tones
c)Quadriad Chords(Quadriads): is formed Four Tones
d)Quintuple Chords: is formed Five Tones
e)Compound Chords and Variety (Changes) in Altered Chords - Making and Formulating them and their Application in Music Styles Different


f)Music Styles:                                                                                                       Popular-
Jazz-
The Blues-
Country-
Soul-
Romance(Romantic)-
Rock & Roll and etc-




Triads:                                                                                                                 minor triads-
Major triads-
augmented triads-
diminished triads-
flat five Major triads (b5 chords)-
 suspended chords- Feeling: Waiting for Resolution * no triad theoreticly-




Quadriads:                                                                                                        seventh chords-
 (add9th) ninth or second (add2) chords-
sixth chords-
diminished seventh chords-
half diminished seventh chords-
7th flat five Major chords-
-7th suspended chords-
add2 seventh chords-
add9 suspended chords-
  and etc-


Quintuple chords:                                                                                                       Ninth chords-7/9 chords-6/9 chords-6/7 chords and etc


XIV) Introduction to Modulation and the role of Pivot chords in Modulating


XV) Sound synchronizing chords and melodies on Playing Process of The Piano and Keyboard


XVI) Music Notating and Accurate Chord-discovering of all types of Western and Eastern songs based on requested by the student for Practical(Exercises) instruction



XVII) Providing a variety of Fingering Locations (Crossing Overs and Passing Unders) of the Left Hand(L.H.) and Right Hand (R.H.),Isolating and Exercising Fingers & Jumping to balance the mind and 
Five Fingers: L.H. & R.H. hands




XVIII) Meeting and Playing "Arpeggio" & Accompaniment Patterns as to Left Hand


a) Three-Notes Patterns
b) Four(Quarter)-Notes Patterns
c) Five-Notes Patterns
d) Six-Notes Patterns
e) Eight-Notes Patterns


XIX) Dressing UP Music


a) Dynamics & Playing Dynamically
b) Articulating,The Power of Articulation and Kinds of Articulation

Staccato-
Tenuto-
Accent-
Accent(Housetop)-
Accent with Tenuto-
Accent with Staccato-

c) Controlling the Tempo
d) Using The Damper Pedal of Piano
e) Meeting the Grace Notes and How to Play Them


Trills and Trilling-
Glissandos(Gliss)-
Trembling and Tremolos-





 XX) Voice typing and tuning as well as tune the singer's voice with the track step







Theoretical Educational Sources


  Harmony and Theory by Keith Wyatt & Carl Schroeder-


 Piano for Dummies-3rd edition by Blake Neely 2014 Rivised by Adam Perlmutter-

Music Theory for Dummies 3rd edition 2007 by Michael Pilhofer & Holly Day-

 Ear Training for Contemporary Musician by Keith Wyatt,Carl Schroeder & Joe Elliott-

Jazz Piano Standard for Dummies by Adam Perlmutter-
 
Blues for Dummies by Cub Koda, Lonnie Brooks and Wayne Baker-

  Jazz for Dummies by Dirk Sutro-

  Music Composition for Dummies by Scott Jarrett & Holly Day-

Songwriting For Dummies by Cathy Lynn,Dave Austin and Jim Peterik-



Tutor and Instructor: Ehsan H. Koopayeh







Contacts

Mobile Phone:+989167654800

Whatsapp,Telegram and Imo:+989167654800

Public E-mail:Koopayeh.ehsan1991@gmail.com

Private E-mail: ehsankoopayeh@gmail.com




نوع مطلب :
برچسب ها : harmony and theory keith wyatt، Harmony and Theory: A Comprehensive Source for All Musicians، Piano Exercises for Dummies pdf، Piano for Dummies 3rd edition، Music Theory for Dummies 3rd edition، Music Composition for Dummies،
لینک های مرتبط :

پنجشنبه 17 فروردین 1396 :: نویسنده : Ehsan Koopayeh
شنبه 18 شهریور 1396 08:14 ق.ظ
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پنجشنبه 21 اردیبهشت 1396 03:48 ق.ظ
I drop a comment when I especially enjoy a article on a site or I have something to contribute
to the conversation. Usually it is caused by the passion displayed in the article I read.
And on this article Ehsan H.Koopayeh: Educator of the Piano&Keyboard,Music Composition,Harmony and
Theory,Translator,Author,Singer,Pianist,Keyboardist,
Teacher of High-school&University,Polymer Industry Engineer - تدریس خصوصی پیانو و
کیبورد(Private Teaching &Training Piano and Keyboard).
I was actually moved enough to drop a commenta response :-P I actually do have 2 questions for you if you
don't mind. Is it just me or do some of the responses appear as if they are
written by brain dead people? :-P And, if you are writing on other
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چهارشنبه 30 فروردین 1396 12:26 ب.ظ
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سه شنبه 29 فروردین 1396 11:18 ب.ظ
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شنبه 26 فروردین 1396 04:46 ب.ظ
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لبخندناراحتچشمک
نیشخندبغلسوال
قلبخجالتزبان
ماچتعجبعصبانی
عینکشیطانگریه
خندهقهقههخداحافظ
سبزقهرهورا
دستگلتفکر


درباره وبلاگ


Ehsan Koopayeh:

Current

Professional Musician Via Study on Keith Wyatt Books and Music Education For DUMMIES Books Hal Leonard CORP

Education:

Mahshahr University


A brief biography of Ehsan Koopayeh :


Pianist,

Piano&Music Instructor,

Harmonist and Music Theorist

Educator of Music Composition-Harmony and Theory-Ear Training,

Author and Writer in a page,

Singer,

Keyboardist,

Chordologist,

Music Journalist,

Teacher of High-school&University,

English Translator,

Mathematician,

Polymer Industry Engineer


Skills Experiences,Case History and Resume:

Singer

Lecturer of high-school,University and college courses,experience:
4 years

Teacher of Music, Piano & Keyboard,Music Harmony and Theoyexperience:
3 years

Scientific principles of harmony and theory for the spontaneous and continuous research and studies

Translating texts in English and Latin and translating Persian Text into English because of high interest to be spontaneous and numerous studies,experience: 6 years

Piano Player,experience:24 years

Keyboard Player,experience:27 years

Guitar Player,experience only Guitar Chords:13 years

Playing Keyboard from 4 years old to improvisation method and from the age of 10 for music sheet(staff,clef, rhythm and etc.)

Playing Piano from age 7 because of great interest to keyed music instruments

Polymer engineering graduate from the University of Mahshahr

Conversance to full-used three industries: engineering plastic, composites technonology, Elastic engineering: scientific and research

Continuous research on the mass transfer in the polymeric nanocomposites with polymeric matrix

Complete mastery on the specialized computer software field
Experience


Skills

Music,Teaching, Pianist, Education, Piano Education, Mathematics, Translation



سوابق،مهارتها و رزومه کاری کامل:

4 سال سابقه تدریس دروس مدرسه و دانشگاه

3 سال سابقه تدریس پیانو و کیبورد

اصول علمی و پژوهشی هارمونی و تئوری به صورت خود جوش و تحقیقاتی و مطالعات پیوسته

6 سال سابقه مترجمی متون انگلیسی و لاتین و برگردان آن به دلیل علاقه زیاد به زبان انگلیسی به صورت خودجوش و مطالعات زیاد

27 سال سابقه نوازندگی پیانو و کیبورد

اصول علمی و پژوهشی هارمونی و تئوری به صورت خود جوش و تحقیقاتی و مطالعات پیوسته


نوازندگی کیبورد از 4 سالگی به صورت بداهه نوازی و از سن 10 سالگی به صورت نت و ضربآهنگ

نوازندگی پیانو از 7 سالگی به دلیل علاقه وافر به سازهای کلاویه ای

فارغ التحصیل مهندسی پلیمر از دانشگاه ماهشهر

آشنایی با سه صنعت پرکاربرد مهندسی پلاستیک،الستومر و کامپوزیت به صورت علمی و پژوهشی

تحقیقات پیوسته راجع به بررسی انتقال جرم در سیستم های پلیمریو نانوکامپوزیتهای با ماتریس پلیمری

تسلط کامل بر فیلد تخصصی نرم افزار کامپیوتر

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